Kara Walker, Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On), 2000

From the Guggenheim:

In Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On), Walker applied colored projections to her silhouette tableaux for the first time. The additional layer disallows passive voyeurism. As viewers step into the environment, their shadows join the sinister scene. Here a woman flees with a noose still hanging from her neck; there in the Big House, another woman’s rag-wrapped head tilts over a body that she disembowels with a ladle; outside, another young girl straddles a gentleman whose head she lifts off effortlessly. Walker dissects conditions of desperation, subjugation, and the decadence of power, staging fantastical confrontations with the illogic of human bondage.

 

Posted on March 30 2012, with 133 Notes

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    I love her use of projection here to enhance a theme
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    Last one. I’m sorry. :C
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